It was one of the author's first projects and it is thus interesting to note in it how Domènech reaches the common objective of all the more active architects of his generation: the search of a new style. His creative effort is concentrated in the accent on the ornament elements, talking them out of and thus separating himself from the purely revivalist eclecticism, but -as Oriol Bohigas has observed- without deciding to take the definitive step of a stylistic change. The voluntary transgression of many of the compositional rules of the historical styles never goes beyond the simple decoration, although in this sense he later developed a personal decorative repertoire which was characterized by the excessive weight of the finials, the presence of low arches over lintels, arched and scaled gables, and, in general, the deformation and oversizing of elements.